Should You Monetize Your Quilting?

Why do you quilt?

Valid question with so many answers.  I quilt because I love the creative process, it puts me in contact with other creative people, and it’s a huge stress reliever.  There’s just something about needle, thread, beautiful fabric, and endless possibilities which excites me.  There are probably as many answers to this question as there are quilters.  Now let me ask you another question:  Could you – or would you – consider making money from your art? 

Now there’s a loaded question that could give some explosive answers.  Obviously, some quilters (as well as other fiber artists) make this transition or else we wouldn’t have the myriads of beautiful fabrics, wonderful patterns, and great magazines, web pages, and books.  Afterall, quilting is a multi-million-dollar industry.  There are quilters who are constantly engaged with manufacturers to produce all the quilty things we love.  And if this process wasn’t successful, all those wonderful quilt shows we adore so much wouldn’t be happening.  So, it’s obvious some quilters do bridge the gap between quilter and quilt entrepreneur quite successfully.   Same thing with long arm artists.  Once they feel proficient in their craft, often they will agree to quilt for others. 

And there’s absolutely nothing wrong with that.

When I began sewing in the early eighties, I wasn’t a proficient quilter.  Yes, I made a quilt or two, but I primarily made garments.  More specifically, children’s garments and (believe it or not) equestrian wear, sorority sweatshirts, and square dance costumes (it’s a long story).  I became fluent in children’s garments because I had two kids, although the journey specifically began with my oldest child, my daughter.  I couldn’t afford to dress her like I wanted to, so I learned to sew.  During the eighties, it was still less expensive to make clothing than purchase it (Target didn’t appear in Greensboro until much later).  I learned to smock and make the heirloom children’s dresses.  Word spread.  Soon I had orders from other mothers and (most often) grandmothers.  Then I was asked to teach smocking and heirloom sewing.  Somewhere in this chaos, the wife of one of my husband’s friends asked if I could hem the pants she wore in horse shows.  From there I made her a jacket.  Then the word spread I could make horse show attire – something I had no idea there was even a market for.  In between English Riding clothes and christening gowns, someone else asked me to make them a square dance skirt and word spread again.   Same thing happened with a local university’s sororities and their sweatshirts. 

Soon my sewing was nearly a second full-time job – which in hindsight was a good thing, because my next child, Matt, was born with severe meconium aspiration.  I won’t go into what a wild rollercoaster ride this was, but one of the end results was I could not put him in any type of childcare until he was two.  Colds, respiratory infections, and the like had to be avoided at all costs. 

Suddenly I was home.  I wasn’t working. But my sewing supplied a stable income with flexible hours.  One day I was working on some super cute overalls, but the pattern’s directions were horrible.  By this time, I had five solid years of garment construction under my needle, but the instructions were still confusing me.  So I did what people did in the days before you could Google a pattern:  I picked up the phone and called the pattern company. I asked for clarification.  Somewhere in the process of being transferred for the umpteenth time, I muttered “I could write these directions so much better.”

To which the final customer-service-representative-with-an-attitude told me (quite snippily), “We have professionals who write our pattern instructions.”

“Well, you need to get other, better professionals,” was my reply.  In my defense, I was tired, had two fussy kids, and was behind the eight-ball with this project.  Needless to say, the call ended.  I still had no better clarification, but customer service no longer seemed to be interested nor did they care. 

Long story short, I went to bed that night angry.  The next day, I got up, caffeinated, and made the overalls. 

Then I re-wrote the directions….

And I sent them to pattern company’s head of customer service, along with a long letter about how their customer service was pretty lousy and so were their directions.

Two weeks later, I get a call from the company.  They want me to re-write some pattern instructions.  They would send me some patterns and a check for fabric.  I could make the garments and then re-write the directions.  Afterwards, I could keep the patterns and the garments.  The company would retain the copyright on the directions, but they would pay me for my time and use of my “sewing studio” (which was a corner of my kitchen).  Nothing to lose, I agreed.  A week later, two boxes of patterns show up at my doorstep. 

I wrote all of this to say one thing:  It’s fine to monetize your quilting if given the chance and you want to.  In my situation, I really didn’t have an option but to sew for money because my family needed my income.  Would I have done the same thing if I didn’t have to?  In all honesty, probably not to the extent I did.  I loved making the christening gowns and seeing the delighted faces when I showed my customers the final product.  I reveled in the fact I made a family heirloom.  However, the deadlines were sometimes difficult to deal with and there always was that one customer, who no matter what you did, you couldn’t make happy. 

Would I monetize my quilting?


I know some of you have taken classes with me, and you know I do get paid for teaching, but I consider teaching quilting a joy and lots of fun.  So, yes, this part of my quilting life is monetized.  However, it’s only a small, small part of what occurs in my quilting life.  So why would I decide to make money on my garment sewing, but not my quilting? 

The first obvious reason, of course, is my financial situation at the time.  We had to be super-careful with Matt the first couple years of his life.  I needed to bring in some kind of income, and God, happenstance, Karma – call it whatever you will – worked out a plan for me to do this.  However, I began seriously and exclusively quilting at a later time in my life – around 1998.  Matt had long been declared perfectly healthy and I was working full-time again.  I didn’t need any additional income quilting could contribute to our household budget. 

The second reason is a little more complex.  I didn’t like what all the pressure and deadlines did to my creativity.  When I made garments for my kids, I could choose my own fabric, my own embroidery or smocking plates, and my own pattern.  The only person I had to please was myself (and the kids, once they were old enough to articulate their preferences).  There was freedom in this – I could stretch my creativity as far as I wanted it to go.  However, after a couple of years of sewing for other people, I felt really stifled.  I was making what everyone else wanted, and even if the product was lovely, it wasn’t what I wanted.

I soon lost my joy of sewing and creating.  I dreaded sewing.  I didn’t want to look at my sewing machine.  I had no desire to stitch a stitch.  And this feeling lingered until the time I went back to work on a full-time basis and told my customers I had constructed their last garment.  My sewing machine basically gathered dust as I came to the realization my children were growing faster than I could sew and clothing purchased at Target had less price points than the ones I made.  I was at a crossroads.  There was a fifty-fifty chance I would sell my machine and all but my very basic sewing supplies or find another sewing project easier to manipulate than garments. 

This is when I began quilting in earnest. People won’t outgrow quilts.  I can take as long as I want to make one.  I determine the colors, the fabric, the pattern, any embellishments, the quilting design, and the recipient (if any).  As the freedom of choice returned to me, so did my creativity.

I learned that, at least for me, monetizing my sewing dumbed myself down.  I was so focused on the sole intent of making money with my craft, I was losing a bit of my magic…my sewing mojo…my precious hobby which kept me sane. So, am I telling you I believe no one should make money from quilting?

Absolutely not.  If no one tried their hand a quilting entrepreneurship, we would be at a loss.  No beautiful quilting fabrics.  No wonderful patterns.  No marvelous quilting teachers with awesome workshops. No nifty quilting notions.  What I am saying is this – there must be balance and sometimes finding that balance is tricky.

If you’re the type of quilter who is perfectly fine trading all your creativity off for cash-in-hand, a full-time quilting business will work wonderfully for you.   But if you’re like me and you need at least twenty minutes a day to turn off your “work” brain and engage your “creative” brain in order to feel your best, having all the creative time sucked out of your life could possibly be emotionally crippling.  This is why “professional” quilters/quilt personalities still find time for their own quilting.  They need this creative space in order to be their best. 

Finding this balance boils down to two motivations described by psychologists – extrinsic motivation and intrinsic motivation.  Extrinsic motivation is the drive to make money and gain achievements.  In other words, an extrinsic quilter would make quilts only for financial gain or to compete and win big prizes in quilt shows.  Intrinsic motivation is the drive to do what you love – not for money, fame, the end result, the finished quilt, or the used-up stash.  Intrinsic is internal.  You’re quilting for the love and joy of the process.  Nothing more.  Nothing less.

Every quilter who becomes proficient in the art usually knows what type of quilter they are – extrinsic or intrinsic.  And there may come a time in your quilt journey when you have to cross from one type to the other because things change, and life has plot twists. Sometimes opportunities present themselves to you which are too good to pass up and you find yourself tiptoeing from one camp to the other.  And I’ll be the first person to tell you, switching camps can really make you grow as an artist.  Don’t shy away from the opportunity. 

Now, after nearly 2,000 words of quilty psychology, let’s get down to brass tacks and talk dollars and cents.  Even the most intrinsic of quilters will probably be asked at some point, “How much would you charge to make me a quilt?”

I will tell you what my standard answer is:  My starting (and I put emphasis on the word “starting”) price is $1,000.00.  I have a good reason for flipping this amount out – I figure if the person wanting the quilt doesn’t run for the hills with a $1,000.00 starting price, we could possibly have a serious talk about me constructing the quilt of their dreams. 

This starting price – and your starting price – should be only for your labor and only for a definite amount of time.  Let’s say your hourly rate is $20 an hour (do not sell your quilt know-how short – don’t go for minimum wage).  When we divide $1000 by $20, the result is 50.  A thousand dollars only covers a 40-hour work week, one additional eight-hour day, and two hours of another day.  Knowing what we know about how long making a quilt can actually take, $1000 doesn’t seem too much to charge, does it? 

The customer should also be part of the price equation.  If you’re lucky, the customer will give you a color palate and you can purchase the fabric, backing, and thread.  Should this occasion arise, be sure to mark up what you spend on these as well as other items purchased for use on the quilt (such as specialty rulers you will probably never use again) by 10%.  Just incase you may feel like balking at this, let me reassure you this is broad industry standards.  My husband and I own an environmental company.  If we are undertaking a time and materials project, all materials we purchased are marked up 10%.  The 10% covers your time and fuel.  I would advise, if the customer wants to choose the fabric themselves, ask if you can go with them.  Many non-quilters have no idea about the type or quality of fabric needed to construct a great looking quilt.

The two last items which need to be considered are deadlines and the complexity of the quilt.    In their defense, most non-quilters have no idea how long it takes to make a quilt.  If the needed-by-date is unrealistic, don’t hesitate to turn the project down.  Explain the process of quilt construction, with a rough working timetable for each, as well as how this wouldn’t fit in your schedule.   The complexity of the quilt also needs to be considered.  Some quilts, such as a double wedding ring, can take weeks to construct, even if all the parts go together well.  And if the quilt pattern is beyond what you’re comfortable with in your skill set, don’t be afraid to say no. 

If you do want to sell quilts, it may be a good idea to have some “stock” quilt patterns – those patterns you know exactly how much time and material they take.  Perhaps have a few choices for baby quilts, wedding quilts, and queen-sized quilts (these are the most used sizes).  If you’ve used the pattern several times, you are aware of how much time it takes to make the quilt.  These would be fairly easy to price. If a customer really wants a different quilt, you can either tell them only those choices are available, or the quilt they want would cost more than your “stock” quilts. 

Be clear about the actual “quilting” part of the process.  If you long arm, use a sit-down machine, or your domestic machine, will that be an additional up-charge?  And if you don’t plan on undertaking any of the quilting, be transparent to your customers about it.  Tell them you don’t quilt the quilt – just construct the top – and they will need to find a long armer.  If you have friends who long arm for profit, you may want to recommend them, or have a list of long armers in your area who they can call. 

Above all else, don’t let anyone “guilt” you into making their quilt.  I’ve had friends and family who have attempted this with me.  They believe because quilting is my hobby and passion, I will jump at the chance to make another quilt at no charge if they supply the fabric and other materials.  I have too many quilts I want to make for me to even let theirs be a blip on my radar.  I know that may sound harsh, but it’s a difficult lesson I learned a long time ago when I made heirloom children’s clothing – they won’t stop with just one.  And if you don’t say no the first time, it’s even harder to say no the second. 

Considering how making garments for others almost completely tapped out my creativity, I don’t think I could ever monetize my quilts.  I won’t even long arm for anyone but myself and I have no plans to  monetize my blog.  However, this may be a good option for you.  Just don’t sell yourself or your talent short.  Both are valuable and precious.

Until Next Week, Make Your Quilt Yours!


16 replies on “Should You Monetize Your Quilting?”

Thanks for another great article. Selling our sewing is such a touchy subject. I shop at LQS even when I travel because I love beautiful, quality fabric and want to support small business. Hubs watches me gift zip pouches and quilts regularly and keeps mentioning how I should sell what I make. I try to explain that even if I know the cost of materials, that are usually full retail price when I purchase them, by the time I mark up my labor, no one will appreciate they are handmade and would rather buy cheaper at big box stores. I also machine embroider and the same applies to pricing. No one considers the stabilizer, thread use of machine and my time. I try to find peace in that I enjoyed making it and will make someone’s day, even if they are a stranger.

Selling your craft/art is such a touchy subject! I just avoid it at all costs for my peace of mind. I’d much rather gift a quilt. My husband, who is a fantastic, award-winning amateur photographer goes throught the same issues. The struggle is real, my friend. Thanks so much for taking the time to read and comment. I really appreciate it.

I loved your sewing story, and how you came to make varied garments! And you are right. Great perspective on the issues.

Thoughtful and absolutely spot on for me. I have non-quilter friends who have said I should sell quilts I make. They have no idea regarding the cost of fabrics, threads & number of hours involved. I love making quilts for myself, some friends & family and some donation comfort quilts. Many decades later I still enjoy this hobby &, as you noted, it’s because I make what I want, when I want.

Thank you for taking the time to read and comment. I always kind of cringe when someone tells me I should be quilting for money because “you’d make a fortune.” So very little do they know…

Excellent thoughts. The one thing you touched on but didn’t emphasize is once you start charging it’s not as much fun any more. Ok, it’s still fun but suddenly there are more pressures. Now you Have to quilt instead of want to quilt. Your thinking changes. I’ve found this with my writing too. Now more is expected of me than just the joy of writing. I have a break down of what it cost to make a quilt from scratch to binding. I wish I could attach it here. When I gift a quilt and someone says you should sell your stuff, I hand them the breakdown and mention the word “marketing”. They are stunned at the cost of the ‘gift’ and no one loves the dreaded necessity of finding a market! 🤣🤣

Preach. I love to quilt and to write. If I had to monetize either, the joy would be sucked right out of my life and I would become dependent on chemical de-stressors ! 😉 My mom is stain glass artist and she echoes the same thoughts. She taught for years and got paid for that but very, very rarely would she make a piece for money. She found no one really wanted to pay her for what it was worth.

Thank you for taking the time to read and comment. It means a lot.

Truer words have never been spoken. I quilt for my joy and peace of my mind. I gift my quilts to those who enjoy the beauty and art of quilting. I read with great interest you thoughts and they were conformation of my own. I don’t want a deadline. I don’t want production. I want to sit at my machine and enjoy.

I couldn’t agree more. I love quilting and it’s the creative juices flowing that make me very engaged and excited. I think about a quilt for days and days before I cut the fabric or choose the pattern. I enjoy trying new colors together and I also love making my favorite blue and white quilts. I love buying fabrics and designing layouts of blocks and the piecing and the chain piecing . Sometimes I mindlessly sew 2 and 1/2” squares and save them into checkerboard blocks, and I’m always pleasantly surprised when there are enough to make a new quilt- what a bonus!! I have been asked to make quilts for strangers and I have declined. I always gift my quilts.

I discovered that the “ quilting” of the quilt was not my thing. I can do it, I have done it a lot, but I enjoy planning and piecing and the quilting takes my time and energy away from the creating part I love to do. I send my quilts to a long arm quilter who I adore and she and I have a great rapport and she does an awesome job. I make the binding before I send the quilt to her and I bind the quilts immediately on their return. I only work on one quilt at a time and always finish each one. When I have sent a quilt to the long armer, it’s time to begin a new one. I know this is unusual but it’s comfortable for me.

I have thought about selling my work- even just a few quilts, so I could justify what I spend on my craft. But I get such pure joy from working in my studio! If I start getting money everything is different. And for me the payoff is not worth it. I’m having way too much fun!

I completely agree — except I have to have three quilts in the works just in case I get bored with one. And one of those three has to have handwork involved. If push came to shove and I absolutely needed the money again I could get from sewing, I would. But I’m 61, the house is paid off, the kids are grown and on their own, and my expenses aren’t so much anymore. I don’t see that happening and I certainly don’t want it to. It would add a whole layer of stress I don’t want to deal with. Like you, my quilting is fun, a creative outlet, and I enjoy gifting my quilts.

I am relatively new to quilting but have progressed quickly because I’m obsessed with any current project. When I’m not sewing, piecing, cutting, or quilting on my little Brother machine, I’m designing with my sketch pad and/or grid paper. So I started thinking of ways to monetize, thus fund this wonderful obsession. This thinking led me to the idea of pattern selling of some of my ideas that I’ve created and joyfully produced. The quilts themselves, are like children and at this point are only for close family … definitely not ready for primetime and definitely at least $1k each if I could put a price on them.

Nevertheless, your article has poked me right in the gullet. Right now, I LOVE the process, all of it. And, I don’t want to mess that up. In fact, I may even want to share my designs to my quilting friends because I’d love to see what an experienced quilter would do with “my” design.

Anyways, thanks for reining me in a bit. I still may monetize some of my pattern designs in the future but no need to rush while I’m still a neophyte.

Couple of things to think about as you go forward in the wonderful world of quilting. First, you’re absolutely correct. Don’t let anything suck the joy out of your quilting. If you’re using it as part of reducing stress and bringing joy into your life, seriously think about what may happen if you monetize it. Maybe even sell a pattern or two before you fully commit to it. I love to teach quilting and design my own patterns for my classes, but if I had to get up everyday and design patterns, I’d be a failure as a pattern designer. I love to teach.

Second, if you like designing your own patterns, you may want to invest in a computer program such as EQ8, which makes designing a bit easier (at least it does for me). Since the computer takes care of all the “mathing” and then gives me options about construction (paper piecing, templates, or rotary cutting), the chances of making mistakes are significantly lowered.

Third, if you do design a pattern you want to try to sell, have some quilter friends “beta test.” Give them your instructions and your patterns have have them make the quilt. As they construct it, they will make notes about parts which aren’t clear or don’t come out exactly right. My rule of thumb is to have three of my quilter friends beta test anything before I use it in class.

Good luck!


This provided me a lot of thoughtful reflection that is invaluable as I’m at that cross roads now. I appreciate the breakdown of the whys and how’s of making and selling quilts. I agree most people have no idea what it takes to make a quilt, time, complexity and most important interest. I would be hard pressed to make a quilt that I myself don’t like. I already have one I haven’t made because I found after sewing a couple blocks I don’t like how it looks. Well again thank you so much for your insight. Time will tell which road I end up on.

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