The Woman Who Made Quilting Cool

Ever have one of those weeks where it’s almost the end of the week and you have no idea how it got there so fast?

I’ve had one of those weeks.  My life is hectic right now.  It’s almost the holidays, my “real” business is crazy busy (not that I’m complaining at all…this is a good problem to have), and I have three projects that I’m in the middle of and want to get off my sewing table.

I’ve been so busy I have had no quality time with Loretta since last Friday.

I’ve been so busy that I didn’t have time to even think about today’s blog until about 7 a.m. this morning.

So in light of everything that has happened,  I decided that I would share some information about quilting that you may not know.  Do you know who really made quilting cool?

Janis Joplin.

Yup.  That’s right.  Janis Joplin.


In a letter dated August 22, 1965, a 22 year-old Janis Joplin wrote a letter to her fiancé, Peter de Blanc, from her parents’ home in Port Arthur, Texas.  In that letter she said, “Also of interest we’ve picked the pattern we’re going to use on the quilt.  It’s a huge 60” wide 8-pointed start that will shade from light blue at the center to dark blue on the outside.  It’s called – READY? – the Lone Star Quilt.  Too much, really.”

I’m my own humble opinion, Janis Joplin is the person who made quilting cool again.

So on this same topic,  did you know that:

According to the word “quilt” dates back to around 1250. The term in Middle English was “quilte,” based on old French word cuilte derived from the Latin word “culcita” for mattress.

Quilting can date back to 3400 BC. The oldest quilt still around today is The Tristan Quilt dated around 1360-1400.


World’s largest quilt is the AIDS Memorial quilt and weighs approximately 54 tons.


The first rotary cutter was invented in 1979 by Olfa for garment making, but soon quilters realized the wonderful  advantage to it.


2014 study showed that quilting in the United States is a $3.7 billion industry.

The same study showed that more than 21 million people quilt, predominantly women with an average age of 62.

In Canada there is one national quilt organization that was founded in 1981. The Canadian Quilters’ Association has 20,000 members and holds an annual conference each year that includes their National Juried Show.

The Dresden Plate quilt block was the most popular quilt block in the 1920’s and 30’s. Although when first published in the early 20’s, it had different names like Grandmother’s Sunburst, Dahlia and Sunflower.


The first spools for thread were invented in the 1820’s and used birch wood.

I’m not quite sure what you’re going to do with all this information, unless there is a game of Trivial Pursuit for Quilters floating around out there.  You could certainly work these facts into your next conversation at quilt guild and dazzle your fellow quilters with your vast array of knowledge.

I think it’s particularly poignant that the disease that ravaged this last generation is the protagonist of the world’s largest quilt.

There will be no blog next week, as next Thursday is Thanksgiving.  I hope to spend the day quietly with my husband, kids and grandkids.  I broke with tradition this year and have ordered my turkey dinner, so other than making a couple of pumpkin pies and a couple of other side dishes, I have no cooking or baking to do.

Have a blessed Thanksgiving!  Be thankful for the small blessings in life, because these are the ones that make each day a gift.

Love and Stitches,

Sherri and Sam





Old Dogs and New Tricks

So… I have Loretta up and going….


After thinking about Betsey or Elizabeth as names for my new long arm, somehow neither seemed to fit.  I spent the better part of one day shifting the room around her  (again) for easier use and then spend the rest of the weekend timidly trying her out.  My partner in crime, Shelle, came over and walked me through the paces the better part of a Sunday afternoon.  The machine worked well, aside from some quirks–she doesn’t like cheap thread, her bobbin case needs to have the tension looser than it was programmed at the manufacturer, and the stitch regulator does not play well when you’re working on pantographs.  The whole situation reminded me that every Loretta I had ever known was fine and sweet, but the littlest thing could make them go haywire.

Thus the name Loretta.

I’m over the “scare” factor with her now.  She won’t break.  She’s just a big, ol’, straight-stitch only sewing machine.  And maybe it’s because I did some much quilting on a domestic machine, but I find I like free-hand work much better than pantographs.  I haven’t tried ruler work, but I did splurge and order some rulers for stitch-in-the-ditch work, applique outlining, and a setting triangle ruler.  This afternoon I also got six more yards of muslin and another bat.  Shelle told me to set up the machine and turn it on every time I’m in my quilt studio.  “Sit and piece for a while, then get up and do a pass down the machine,” she advised.


My FitBit is going to love me.  All those extra steps!

Hopefully I will have some pictures up for you folks in a few days.

Meanwhile, I’m still hard at work on The Farmer’s Wife….


And I purchased this nifty, new cutting mat from Martelli.


A good friend of mine had one at retreat.  It spins on a base, so it makes squaring up a breeze or cutting out small, complicated blocks really easy.

Have a great weekend…

Love and Stitches,

Sherri And Sam





Color My World

It’s now autumn and the landscape is awash with every hue of red imaginable.  This time of year automatically makes me think of pumpkins and Christmas trees and warm fires.  It gives me a cozy kind of feeling that makes me want to snuggle beneath a quilt, have a quiet cup of tea, and read the weekend away.

Blue has the opposite effect for me.  It makes me think of warm summer days, the cool Atlantic Ocean, sailboats, sandboxes, sundresses, and the smell of suntan lotion.  It makes me want to throw everything into a suitcase, hop in the car, and head east until I see ocean waves.

Funny how one color can make you feel one way, and another can make you feel completely different.  Color is like that.  And it’s all subjective.  Blue or red could have the complete and total opposite effect on you.  The best part is that neither effect is wrong.

The last blog I wrote on color featured the complementary color scheme – those colors directly opposite of each other on the color wheel.  Now I want to offer you a couple of other color wheel choices that can be used in designing quilts as well as introduce you to some tools that are really nifty to keep in your sewing bag.

The first alternative color scheme is the split-complementary.  Take a look at the color wheel below:


The quilt that I introduced in my last blog about color had two complementary colors – yellow and violet.  They are on opposite sides of the color wheel.  A split-complementary color scheme takes one color on either side of the complementary color and adds them into the mix.  So if my quilt was to be a split-complementary, I could take orange-yellow and yellow-green fabric as well as red-violet and blue violet and throw it in the mix – which I did with the lime green.


There is also the double complement.  This happens when two complementary colors are chosen that are right next to each other on the color wheel.  Refer back to the color wheel.  Besides my yellow and violet, I also could have chosen yellow-orange and blue violet or yellow-green and red-violet fabric.

Triadic colors make up another color scheme to think about.  This happens when two additional colors are chosen that are equal distance from one of the main colors.


For instance in my quilt, violet is the main color.  If I were thinking about a triadic color scheme, besides the yellow and violet, I would have chosen red-orange and blue-green.

Before we can get to the final color scheme, I need to define some terms for you.  First of all there is hueHue is the pure color of whatever fabric you have chosen.  Think about your first box of crayons you opened up as a kid – remember those fat crayons in the primary colors?  Think of those when you are pondering the hue.

Now take the hue and add white.  That gives the hue a tint.  When you add white to violet, you get lavender.  When you add it to red you get pink.  When you add it to black, the result is gray.  Lavender, gray, and pink are tints.

Let’s take the hue and add black to it.  This will produce a shade.  These tend to be really deep colors.  If you add black to red, you get burgundy.  If you add black to blue, navy is the result.  Burgundy and navy are shades.

Don’t confuse shades with tonesTones are made when gray is added to a hue.  They can closely resemble shades, but tones are a bit muddy.  It’s critical to be careful when adding tones to the rest of your fabric that you’ve assembled for your quilt.  If all the other colors are clear hues, shades, and tints, a tonal fabric can pull the color value down and stick out like a sore thumb.

Which now brings us to the last color scheme – monochromatic.  While the prefix –mono – may sound boring, the color scheme is anything but.  A monochromatic  color scheme takes a hue on the color wheel (such as violet) and uses tints, tones, and shades of this hue on either side of it on the color wheel.


If I were planning a monochromatic scheme with violet, I could chose red-violet, blue violet, lavender, deep violet.

Does all this sound complicated?  Sometimes I think we take what’s really simple and as we try to explain it, it becomes really difficult.  The wonderful part about all of this is that most of this comes naturally.  We are exposed to color as soon as we are born and our eyes can focus.  The brain immediately begins to file through the colors, tints, shades, and tones and sorts it all out.  Unless one is color-blind, for the largest part, finding beautiful color schemes comes as naturally as breathing.  So..relax and enjoy this part of quilt planning.

However, if you’re still a little antsy about choosing colors, take a trip to your local hardware store and mosey over to the paint section.  Chances are they have a kiosk similar to this


I cannot tell you how helpful these paint chips are when planning a quilt.  I am so incredibly thankful that these things are free!  When I’m unsure of a color scheme or if I’m simply looking for inspiration, these cards are a huge help.  And they fit handily inside a sewing bag or purse that you can take to your local quilt store to find fabric.

I also really, really like this tool:

This is the Ultimate 3-in-1 Color Tool  from C&T Publishing by Joen Wolfrom  It has 24 color cards with numbered swatches, five color plans for each color, and a red and a green value finder (I discussed value in a blog last year).  It comes in a handy-dandy protective pouch and slips easily into your purse or bag.

If you don’t come away from anything else with this series on color, I hope I’ve at least taken the fear out of picking out fabric.  I’ve seen far, far too many talented quilters opt for making the quilt just as it looks on the pattern because they are too afraid of making their own color choices.  And I know an equal number of them who would much rather opt for kits than go on the great adventure of finding their own fabric.

Don’t be that quilter.

Love and Stitches,


Sherri and Sam